Images and graphics are often the things shared most by people after an event of last night's magnitude.

Photos capture moments frozen in time.

Graphics can distill the complex.

Interactive graphics can allow people to peruse and discover at their own pace.

Illustration is striking—partly because it is used so infrequently—and because something drawn by hand can convey a very human aspect of mood and emotion.

There were some masterful examples of visual storytelling captured, created, experienced and shared in real-time around the world last night.

Here are a few things that caught our attention.

This image of President Obama and the first lady was tweeted out by his staff minutes after he was re-elected for a second term with the phrase: "Four more years." Twitter reports it is his most re-tweeted tweet, ever.

"The Obama machine understood both the closeness of the race and the power of his image," said Kenny Irby. The president and his staff took total control of his image throughout the day. Obama had not been seen or documented since early in the morning.

"I am struck by the fact that this image was clearly documented much earlier in the day and that the caption does not represent it as a reflection of a specific time during the counting of the ballots or some such event," said Irby.

There is a controlled branding to this choice. "It was not about what the event was, but rather who was in the image," said Irby. "Millions only cared to see the unity of the first couple and the victory associated with that."

Photojournalism is changing the way photos are shared and exchanged. "It is no-longer only the pursuit of deeply passionate, highly skilled practitioners with an abiding zeal to shine light in dark places and offer a face to the faceless," said Irby.

Captured four years apart, two key moments in the Obama family life show the president a little grayer and his daughters more mature. These "Today" show photos allow juxtaposition in ways that other story forms can't touch.
Among the many great photos published during the campaign and election by White House photographer Pete Souza, this moment between running mates and their spouses is a visual surprise that few people would otherwise see.

Many interactive graphics had a game-like feel to them, coaxing users back again and again to play through the scenarios even before the election. Some incorporated elements of social media, so a stream of conversation happened alongside the graphic.

Countless people watched vote totals unfold graphically on multiple screens—perhaps with a laptop open to The New York Times' 512 possible paths to the White House and NPR's interactive that was created in fully responsive design so that it could be easily updated and used on virtually any device, platform or browser.

The U.S. interactive team of the Guardian used humor and illustration to create the hysterical "Action-packed journey to US election day in novel form." Proof that visual storytelling can be both data-driven and highly entertaining, the interactive has been shared more than 10,000 times.