The dash is the Kim Kardashian of punctuation marks: misplaced, over-exposed, shamelessly self-promoting, always eager to elbow out her jealous sisters the comma, colon, and semicolon.
My friend and mentor Don Fry has for years waged a holy war against the dash. Not the hundred-yard dash or a dash of paprika, but that most horizontal mode of punctuation, also known as an em dash — so named because it’s about as wide as a capital “M” in some typefaces.
Don, known as an enthusiastic exaggerator, has drummed up his opposition to the dash to ramming speed, and, truth be told, I can’t remember seeing a single instance of that mini-flatline in his own writing. He argues that writers use the dash profligately as a substitute for another more precise mark, and that the failure to learn, say, the colon or semicolon has created a dependence on the dash as the fallback punctuation tool. Read more