5 DIY journalism costumes for 2014

For Halloween this year, you could be a reporter (notebook, phone, side eye for your younger colleagues) or a reporter who could possibly get laid off (no costume necessary), or a reporter who has been laid off (just add flask.) Or you could go with one of these — here are five journalism costume ideas that you can do yourself with things you can mostly pilfer from the newsroom.

– Comment troll: This idea comes from Carlie Kollath Wells at NOLA.com. Paint yourself green and bring along that tablet. If you’re really in character, you’ll have something to say about everything everyone around you says.

Troll of stones

– Tweetstorm: This is either when someone sends out a ton of tweets one right after the other, like Twitter diarrhea, or when you’re bombarded by tweets after doing something other Twitterers don’t like. Either way, print off a ton of tweets and tape them all over yourself and you’re done. You can bring an umbrella or galoshes if you want to be cute.

Post-it man

– Gas mask: Journalists have needed these in several places this year, including Ferguson, Missouri and Hong Kong. Plus, if you choose this option, you’ll be ready for the next big story.

(Photo by Kristen Hare)

(Photo by Kristen Hare)

– Facebook algorithm: Since no one really understands these, you can do whatever you want here.

Man standing with a question mark board

– Twitter verified symbol: Get a white shirt, print out a Twitter verified symbol and paste it on that white shirt. Everyone will know you’re really you. Partner costume idea: My colleague Ben Mullin also recommends a hashtag as a costume idea, which is basically just cutting out # in cardboard, paint it black and stick your head through the middle. If that’s not helpful, there are real tutorials on this one.

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Tim Cook files clean copy, Businessweek editor says

Bloomberg TV

Apple’s CEO acknowledged in a Bloomberg Businessweek essay today that he’s gay. How’d that article end up in Businessweek?

“The backstory is pretty simple,” Businessweek Editor Josh Tyrangiel says in an interview with Tom Keene. “He called and asked if he could come out.”

Tyrangiel says Cook’s draft “was crisp and clear, and frankly I hope he is available for more assignments going forward. He was very easy to work with on this.”

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There are a lot of good illustrated journalism pieces this week

CIR | Al Jazeera America | CityLab

Three good examples of illustrated journalism arrived this week. That’s not a trend, but it’s a welcome opportunity to highlight alternative storytelling forms.

The Center for Investigative Reporting just published “Techsploitation,” a graphic novel that tells the story of an Indian man who ended up in a “guesthouse,” applying for work online after he thought he was getting a job in the States. CIR reporter Matt Smith also illustrated the book, which accompanies his much longer text-based story about shady job brokers.

A page fron "Techsploitation"

A page fron “Techsploitation”

The Guardian also ran “Techsploitation” online.

Meghann Farnsworth, CIR’s director of distribution and engagement, said she didn’t yet know the extent to which the partnership boosted the book’s reach, but said “On social media we’ve seen a lot of people excited to see it.” CIR is also trying to figure out how many print copies of the book to make — some will go to colleges and media organizations in India, Farnsworth said, and others might become premiums for CIR’s members.

A previous CIR graphic novel, “The Box,” was also produced by CIR’s Michael I. Schiller, and the news organization printed that one, too. “Digital is amazing, but there’s something about holding things in your hands,” Farnsworth said.

Al Jazeera America published “Terms of Service,” a less-than-rosy look at how big data is letting companies monetize your life — and come up with their own stories about you that you can’t control. Michael Keller and Josh Neufeld wrote and star in the book, which follows them to Colorado and New York.

A page from "Terms of Service"

A page from “Terms of Service”

Rhyne Piggott, the news organization’s head of multimedia and mobile, tells Poynter in an email that AJAM plans a print version of “Terms of Service.”

CityLab just republished “Compartment 13,” a comic by Darryl Holliday and Jamie Hibdon about the effects of anti-homeless measures in Chicago.

A detail from "Compartment 13"

A detail from “Compartment 13″

Holliday and Hidden created the piece for Symbolia Magazine, CityLab senior associate editor Shauna Miller tells Poynter in an email. (The piece was also published in partnership with Illustrated Press and the Journalism Center for Children on Families, which funded it.) “We did not commission Compartment 13, we simply connected with the writers on a tip from one of our staffers and took it on just as we would take a reported article from any freelancer,” she writes.

The story “is also part of a book that Darryl is working on that will provide a snapshot of life on Kedzie Avenue in Chicago,” Symbolia Editor Erin Polgreen tells Poynter in an email. Polgreen edited “Compartment 13″ and plans to edit Holliday’s book as well, which Holliday plans to crowd-fund.

Miller said CityLab hadn’t run a piece like this before but said she is “embarking on editing a series on homelessness for CityLab and thought this was a really good way into the human side of the issue (which is the hardest layer to get through regarding this issue with readers).”

Related: Journalists, Artists Tell Stories with Nonfiction Graphic Novels | From radio reporter to graphic novelist, how Brooke Gladstone became a character in ‘The Influencing Machine’ | California Watch tells difficult story with video, tweets (and text) Read more

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How the AP busted Nazi suspects receiving Social Security payments

After three years of on-again-off-again investigation, David Rising finally sighted his quarry this summer. He was a small man, bespectacled and balding, peering over a second-story window ledge to survey his surroundings.

Rising, a Berlin correspondent for The Associated Press, had traveled a long way to see this man — all the way to Osijek, a mid-size city in Croatia nestled along the banks of the Drava River. The man, Jakob Denzinger, was one of the last living subjects of a story the AP had been chipping away at for years, a story about a decades-old policy that connected American taxpayers to individuals suspected of Nazi war crimes.

On Oct. 19, the AP moved that story, a 4,320-word investigation into a loophole that allowed Nazi suspects, including Denzinger, to receive monthly payments from the United States Social Security Administration.

The tale behind the investigation — a ponderous project that required three reporters spread out over two continents — gives a look at how the AP is leveraging its year-old international investigative team and its global network of correspondents to bring ambitious stories to term.

The story that would eventually lead to Denzinger began in 2011. That year, AP investigative researcher Randy Herschaft was digging through declassified documents at the National Archives in College Park, Maryland.

Herschaft was trawling for information on Nazi suspects, specifically evidence related to a man on trial for committing crimes while allegedly working at a concentration camp in occupied Poland during World War II.

But during his search, he ran across a State Department report from 1984 analyzing the practice of “Nazi dumping,” a policy that included the Justice Department’s use of Social Security payments as leverage to persuade suspected Nazis to leave the United States.

When Rising discussed the report on the phone with Herschaft from Berlin, they both knew the implications were huge. If living Nazi suspects were still receiving these benefits, this decades-old report could be the beginnings of a high-impact story.

“I think maybe ‘holy shit’ was the reaction,” Rising said.

Although the two journalists had a big story on their hands, deadline pressure and daily assignments slowed the investigation. Rising had to juggle reporting and writing with leading the news cooperative’s text operations in Germany. Another obstacle intruded: the Social Security Administration changed the scope of a FOIA request seeking documents that might reveal the extent of the program.

In the meantime, Herschaft and Rising shared bylines on three other investigations into Nazi activity — two about a former Nazi commander, then living in Minnesota, who they discovered ordered a massacre on a Polish town. They also finished the story they were working on when Herschaft discovered the State Department report on Nazi dumping, an article that showed the FBI had concluded evidence used to prosecute a suspected Nazi was probably fabricated.

By February of this year, the two reporters had made significant progress on the story, but they were still missing key pieces of evidence. Rising and Herschaft hadn’t confirmed specific cases where suspected Nazis received Social Security benefits after leaving the United States. And they hadn’t yet documented whether the program was still ongoing.

Enter Richard Lardner, a reporter assigned to the AP’s international investigations team based in Washington, D.C. Trish Wilson, Lardner’s editor, sent him an email from Europe enterprise editor Joji Sakurai that laid out the foundations of the story: evidence of bargaining with Nazi war crimes suspects, deals cut by the U.S. to avoid messy deportation proceedings. Sakurai wanted help from a reporter in D.C. who could push the project forward.

In the coming months, Lardner conducted about 20 interviews and pored over records at the United States Holocaust Museum library and the National Archives. He also tried — unsuccessfully — to schedule on-the-record interviews with officials from the Social Security Administration and the Justice Department. He wasn’t discouraged by the lack of response, though.

“It just makes you want to pursue this even more aggressively,” Lardner said. “It’s the nature of what you do. If you gave up all the time, you’d never get anywhere.”

With Lardner aboard, the investigation was nearing the finish line. But as it drew to a close, the team still wanted to find a face for the story, a living person to show the impact of the decades-old policy. They got a break when Rising got in touch with one of his sources, who provided the whereabouts of Denzinger.

“Denzinger, as a former death camp guard who was removed from the U.S. and was still alive and receiving Social Security, was the ideal way to illustrate the story,” Rising said in an email to Poynter.

On July 27, Rising flew to Zagreb, Croatia, and drove about three hours east to Osijek. He and Darko Bandic, the photographer assigned to the story, took position at a café near Denzinger’s apartment, hoping to catch him on the way out.

As stakeouts go, it wasn’t too bad — the journalists moved between the café and a restaurant, so they had plenty to eat and drink. But after a day of waiting, all they had to show for their efforts was a glimpse of Denzinger through the window and a report from a waiter who said he was a good tipper.

So, knowing they couldn’t stay in Croatia forever, the pair decided to head to Denzinger’s apartment for the interview. They were buzzed into the building without a word. When Rising arrived at Denzinger’s door, his nurse answered, speaking Croatian. Rising fetched Bandic, who could speak to the nurse — but when they got back to the door, she wouldn’t answer. Two hours later, a lady from a downstairs apartment arrived and let Rising in.

“There was the natural apprehension of stepping into someone’s apartment not knowing exactly what awaits, but even more a rush of adrenaline knowing this was my chance and that persistence had paid off,” Rising said.

When he stepped into the apartment, Rising got his first up-close look at Denzinger. He was round and short, wearing a cardigan even in the heat of the summer. Rising identified himself in German, but Denzinger refused to comment for the story. Eventually, he asked Rising to leave.

Although he weren’t able to persuade Denzinger to go on the record, taking the trip to Croatia was worth it, Rising said.

“From the visit we were able to paint a picture of the life that Denzinger was leading in his retirement in Croatia, which helped put a human face on the story,” Rising said.

Even after the interview, the team still had much to do — reporting and writing and fact-checking the article to make sure it was bulletproof, Rising said. That took an additional three months.

When it finally moved over the wires, the article was a hit. It was published on 68 front pages over two days; it was republished by Mashable, CBS News and Der Spiegel; lawmakers announced they would introduce legislation to close the loophole.

“That’s very satisfying,” Lardner said. “You want to write something that’s good, that’s accurate, that people read, that has impact. And I think that story did.”

This story and others like it, exclusives that have come through the AP’s international investigations team, are part of a strategy to produce original content, said John Daniszewski, vice president and senior managing editor for international news at the AP.

“I think as the news has become more of a commodity, more ubiquitous because of the Internet, you need more special stories to make you stand out and make people feel like the AP is going to have a distinctive range of stories — and they’re going to be missing those stories if they didn’t have AP,” Daniszewski said. Read more

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NYT added 44,000 digital subscribers in the third quarter

The New York Times Company

The New York Times Company added 44,000 subscribers to its digital-only products in the third quarter of 2014, “an increase of more than 20 percent compared with the end of the third quarter of 2013,” it says in its third-quarter earnings report, released Thursday.

The company says it now has 875,000 subscribers to digital-only products. It added 32,000 subscribers in the second quarter.

Revenue at the company was a little better than flat: up about 1 percent overall, with circulation revenue up 1.6 percent, advertising revenue down .4 percent and other revenue — including events — up about 4 percent.

Print ad revenue was down about 5 percent, and digital ad revenue was up 16.5 percent. Operating costs rose 9 percent, “mainly due to severance expense associated with previously disclosed workforce reductions as well as higher compensation and benefits expenses primarily related to the Company’s strategic initiatives,” the release says.

Times digital honcho Denise Warren left the company this week, part of what Times Co. President and CEO Mark Thompson calls a “reorganization that is intended to accelerate the development of our digital consumer business by creating separate marketing and digital divisions.” He continues: “Our audience development efforts also remain a top priority, with the goal of extending our already broad reach and deepening the engagement of our readers.” Read more

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8 women accuse Ghomeshi of assault, harassment

Good morning. Here are nine media stories.

  1. Women say Jian Ghomeshi choked, assaulted, harassed them

    The former CBC host's accusers "describe a man obsessed with his image and power, and someone who they say has little or no respect for barriers," Kevin Donovan and Jesse Brown write. Most of the women stayed anonymous but "Trailer Park Boys" actor Lucy DeCoutere put her name to her charges. Ghomeshi's alleged behavior was not confined to his private life, the report says: One woman said he told her “I want to hate f--- you” in a meeting and later "cupped her buttocks." When she complained, a producer asked her “what (she) could do to make this a less toxic work environment?” Ghomeshi, who is suing the CBC following his dismissal, did not comment. (Toronto Star) | Dan Savage: "Ghomeshi isn't a safe, sane, and consensual kinkster. He's a reckless, abusive, and dangerous one who has traumatized some women and lucked out with others." (The Stranger) | Melissa Martin: The "'pattern of behaviour' Ghomeshi accused his accusers of trying to create, it existed long before their allegations did." (Nothing in Winnipeg)

  2. Tim Cook writes about being gay

    "I don’t consider myself an activist, but I realize how much I’ve benefited from the sacrifice of others. So if hearing that the CEO of Apple is gay can help someone struggling to come to terms with who he or she is, or bring comfort to anyone who feels alone, or inspire people to insist on their equality, then it’s worth the trade-off with my own privacy." (Bloomberg Businessweek)

  3. NYT Co. 3Q earnings today

    The company "is seeing favorable earnings estimate revision activity as of late, which is generally a precursor to an earnings beat." (Zacks) | Expect questions about the sudden departure of digital boss Denise Warren at the earnings call, at 11 a.m. (NYTCo)

  4. New pages

    The homepage is The Guardian's “single strongest lever to direct attention," director of digital strategy Wolfgang Blau tells Sam Kirkland. “People go to edited sources because they trust to be told what really is important,” creative director Alex Breuer says. Still, 59 percent of visits to The Guardian last month originated on article pages. (Poynter) | NPR launches its new music site with an Auto-Tune-free T-Pain concert. (NPR)

  5. Why does the U.S. detain so many journalists at borders?

    "It may be the case that journalists' travel patterns and data flows just happen to trigger alerts within federal databases," Geoffrey King writes. "But the experiences of the journalists CPJ interviewed make it clear that CBP's broad discretion is having a negative impact on the free flow of news." (CPJ)

  6. Gawker may cover Albany

    "The last thing I want to do is say, 'We're gonna fuck Albany up and take down Cuomo or whatever!'" Gawker EIC Max Read tells Peter Sterne. "We may send people up there and find that we have nothing to write about and nothing to do." (Capital)

  7. David Plotz explains the basic problem the Internet presents publishers

    "The internet doesn’t work like a print magazine," Slate's former editor tells Christopher Massie. "You don’t pull people into Slate through one thing and then they stay for another." Plotz also talks about his new job at Atlas Obscura: "The chance to do a different kind of journalism which has a sense of mission that is about delight and joy and discovery is appealing." (CJR)

  8. Front pages of the day, curated by Kristen Hare

    Pride in San Francisco. Stoicism in Kansas City. (Courtesy the Newseum)

    sfc-10302014

    kcstar-10302014  

  9. Job moves, edited by Benjamin Mullin

    Elise Hu will be NPR's Asia correspondent in Seoul. She covers tech and culture at NPR. (Poynter) | Mitra Kalita is now executive editor-at-large for Quartz. Previously, she was ideas editor there. Paul Smalera will be Quartz' new ideas editor. He is editor of The New York Times opinion app. (Poynter) | Donald Baer is now chairman of PBS' board of directors. He is CEO of Burson-Marsteller. (PBS) | Jessica Coen is now a contributing editor at Marie Claire. She is an editor-at-large with Jezebel. (Fishbowl NY) | Stephen Lacy is now chairman of the Association of Magazine Media. He is CEO of the Meredith Corporation. (Email) | Dan Katz will be chief of staff to Arianna Huffington. He's currently a chief researcher for David Gergen. Maxwell Strachan is now senior editor of business and tech at The Huffington Post. Previously, he was business editor there. (email) | Emily Yoshida will be entertainment editor at The Verge. Previously, she was culture editor at Grantland. (Muck Rack) | Job of the day: The Virginian-Pilot is looking for a digital news editor. Ger your résumés in! (Journalism Jobs) | Send Ben your job moves: bmullin@poynter.org.

Corrections? Tips? Please email me: abeaujon@poynter.org. Would you like to get this roundup emailed to you every morning? Sign up here. Read more

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P-War of the Worlds

Today in Media History: Martians attack Earth in Orson Welles’ 1938 “War of the Worlds” radio broadcast

On October 30, 1938, 23-year-old Orson Welles and his radio program, Mercury Theatre on the Air, broadcast “War of the Worlds.” Their fictional radio news bulletins about a Martian invasion panicked many and made Welles famous.

(Click here to watch the entire PBS American Experience documentary about the “War of the Worlds” broadcast.)

“It was the day before Halloween, October 30, 1938. Henry Brylawski was on his way to pick up his girlfriend at her Adams Morgan apartment in Washington, D.C.

As he turned on his car radio, the 25-year-old law student heard some startling news. A huge meteorite had smashed into a New Jersey farm. New York was under attack by Martians.

‘I knew it was a hoax,’ said Brylawski, now 92.

Others were not so sure. When he reached the apartment, Brylawski found his girlfriend’s sister, who was living there, ‘quaking in her boots,’ as he puts it. ‘She thought the news was real,’ he said.

It was not. What radio listeners heard that night was an adaptation, by Orson Welles’s Mercury Theater group, of a science fiction novel written 40 years earlier: The War of the Worlds, by H.G. Wells.

However, the radio play, narrated by Orson Welles, had been written and performed to sound like a real news broadcast about an invasion from Mars.”

– “‘War of the Worlds’: Behind the 1938 Radio Show Panic
National Geographic News, June 17, 2005

The day after the program reporters interviewed Orson Welles about his radio broadcast.

Many Philadelphia Inquirer newspaper readers lived near the radio drama’s Martian landing spot at Grover’s Mill, New Jersey. Here is an excerpt from the Inquirer’s report:

“Terror struck at the hearts of hundreds of thousands of persons in the length and breadth of the United States last night as crisp words of what they believed to be a news broadcast leaped from their radio sets — telling of catastrophe from the skies visited on this country.

Out of the heavens, they learned, objects at first believed to be meteors crashed down near Trenton, killing many.

Then out of the meteors came monsters, spreading destruction with torch and poison gas. It was all just a radio dramatization, but the result, in all actuality, was nationwide hysteria.

….In reality there was no danger. The broadcast was merely a Halloween program in which Orson Welles, actor-director of the Mercury Theater on the Air, related, as though he were one of the few human survivors of the catastrophe, an adaptation of H.G. Wells’ The War of the Worlds.”

And here is what you would have heard the evening of October 30, 1938. It took the Martians about 57 minutes to invade Earth.

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Wednesday, Oct. 29, 2014

NPR to open Seoul bureau

NPR | Fishbowl NY

National Public Radio Wednesday revealed plans to open a bureau in Seoul, South Korea, naming culture and technology reporter Elise Hu its Asia correspondent there.

In addition to being at the heart of a technological and economic force, the bureau is strategically placed near multiple countries of interest to NPR, including Japan and China, Hu said. From there, she’ll be able to coordinate with NPR bureaus in other cities, including New Delhi, Islamabad and Beijing.

The opportunity to report overseas is a huge privilege, she said. Her family — including her husband, Wall Street Journal data journalist Matt Stiles — will make the move with her.

“I obviously had to talk it over with my family,” Hu said. “This is indeed a cross-planet move, but my husband is on board. He’s an incredibly talented journalist in his own right, so I’m confident that something will work out for him.”

The bureau, which will open in 2015, will consist of Hu and a translator-assistant, who she’ll hire.

Hu came to NPR in 2011 to help develop StateImpact network, a government reporting project, according to the announcement. Before that, she was a founding reporter at The Texas Tribune, a journalism non-profit based in Austin, Texas.

Hu wrote about the move on her blog:

I don’t know what to do with our house yet. I am panicked about getting to see the final episodes of Mad Men without too much time delay. I worry about my 16-year-old dog surviving a cross-planet move. I am unsure of my own abilities to cover a place where I am illiterate.

But I’m also filled with excitement and wonder and gratitude for the chance to do this. I know how rare a privilege it is these days to get a chance to work overseas, supported by a large, well-funded news organization. As my friend and mentor Kinsey said, it’s invaluable experience that will change and shape our lives.

She also tweeted about it:

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At The Guardian, the homepage is far from dead

You’ve probably heard rumors of “the death of the homepage,” but The Guardian isn’t having it.

During a demo of the newly redesigned U.S. website in New York this week, Wolfgang Blau, The Guardian’s director of digital strategy, said the homepage was The Guardian’s “single strongest lever to direct attention.” He and other digital leaders at The Guardian surprised me by focusing so much on the homepage when talking about the new site, which went live today.

The homepage consists of new responsive “containers” of content. Anyone who has edited a newspaper site’s homepage with a CMS constraining presentation to one or two above-the-fold templates will be jealous of The Guardian’s seemingly infinite array of options for arranging content in a four-column grid. Stories can go as wide as necessary — with an image or without! — and can include various combinations of headlines, kickers, and byline photos.

The result: a modular design that translates well to mobile but doesn’t resort to the sameness plaguing other news site redesigns.

(Erin Kissane takes a closer look at the backend at Source.)

The previous Guardian homepage, top, and the new one, bottom.

The previous Guardian homepage, top, and the new one, bottom.

More choices for how content is presented throughout the day offers more opportunities to exercise editorial judgment, and that’s where The Guardian thinks it has a competitive advantage. “People go to edited sources because they trust to be told what really is important,” said Alex Breuer, The Guardian’s creative director. Throughout the day, some stories get louder and others get quieter; now, the homepage reflects those nuances, Breuer said.

“We want to be world’s most influential news organization,” Blau said. That means continuing to grow in the U.S. (it topped The New York Times in unique visitors in September). American readers don’t know and trust the brand thanks to a print newspaper like UK readers do, said Cecilia Dobbs, VP of product for the U.S., so a redesign of its online presence is even more important in the U.S. (The beta site was rolled out to 5 percent of U.S. users earlier this year, allowing The Guardian to gather feedback, and the new design will go live for other Guardian sites soon.)

When the Guardian looked at its competitors, Blau said, it saw homepages that generally become repetitive farther down the page. The various ways homepage editors can arrange stories now — along with a new color scheme — gives readers visual cues that are especially useful given The Guardian’s mix of quick-hit news updates and in-depth features across many different subject areas, Dobbs said.

Globally, 31 percent of sessions at The Guardian’s sites include a trip to the homepage, and direct visitors to news sites are generally much more loyal, according to Pew. Still, the fact that 59 percent of visits to the site originated on article pages in September makes the homepage emphasis a fascinating choice. Will new U.S. readers — likely acquired through social media — decide to explore the homepage? It’ll be interesting to see if The Guardian does more to direct these visitors to the homepage to get a comprehensive view of what else the site has to offer.

Despite the way newspaper sites are often derided for looking too much like newspapers, I noticed that elements of the site’s design felt newspaper-like. Blau said the careful crafting that goes into a well-designed newspaper or magazine is often missing online. The Guardian’s new grid — guides that provide a rhythm and structure without sacrificing flexibility — make The Guardian’s new site more of a pleasure to browse.

Article pages revamped too

Of course, The Guardian recognizes that more and more readers are entering the site through article pages (and about half are arriving via mobile, where social media is even more important), so articles pages are better now, too, with more prominent social sharing buttons. Stories are wider and contain more white space. Article pages — not unlike the ones debuted by The New York Times this year — feel less cluttered.

The typography is now consistent across all Guardian platforms, including print. On the Web, it’s bigger, too, with more line spacing, and that’s one very obvious change that rankles long-time readers. But to those who say the text is too big, The Guardian can ask, “well, do you like Medium?”

The Guardian didn’t adopt continuous scroll on article pages like many other recent news sites have, but those containers from the homepage can be placed beneath articles, too, to lead visitors elsewhere. In the future, The Guardian hopes to better customize these “journeys” through the site based on referral sources and other reader behavior.


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Mitra Kalita is Quartz’ executive editor-at-large

Quartz Editor-in-Chief Kevin Delaney announced Wednesday that ideas editor Mitra Kalita will become executive editor-at-large for Quartz, charged with “spearheading projects” that “build up our readership and journalism globally.”

In a memo to Quartz staff (below), Delaney noted Kalita — who was recently named an adjunct faculty member at Poynter — played a “central role” in the creation of the business vertical’s Ideas section and the launch of Quartz India.

In an interview with World News Publishing Focus, Kalita said Quartz is considering expanding to cover other subjects:

We are looking at other markets and other niches but a part of our ethos is driven by this idea that you and I have a lot in common, and might be harried by some of the same factors of life and work. Does that story need to come from a place of geography? Probably not. In some cases geography will be where we expand but in others it’s going to be by obsession or theme areas.

Kalita will be replaced by Paul Smalera, editor of The New York Times opinion app, which is slated to be discontinued at the end of the month. Smalera was also the founding editor of the Times’ Op-Talk site, according to a memo from Delaney announcing his hire (also below).

Hello Quartz -

I’m happy to announce the appointment of Mitra Kalita as Quartz’s executive editor at large, with special responsibility for global expansion and Ideas.

This move reflects Mitra’s central role from Quartz’s beginning through the present, including building up Ideas and launching Quartz India. As many of you know, her contributions extend far beyond that to touch pretty much all aspects of Quartz, including identifying and bringing on many of our talented colleagues.

Since the beginning, Mitra has focused on the people and “the story.” She’s helped us deliver on being a news organization that truly covers the world, while tackling some of the most intimate and challenging issues in our lives and workplaces. Mitra’s wide range of interests is partly what makes her so effective—she knows international news for us to pursue ambitiously when she sees it, such as Modi’s appearance in NYC, and hot button issues that hit home on Facebook, such as the ubiquity of one company’s baby blankets. It goes without saying that Mitra specializes in keeping all of us on our toes.

In her new role, she will spearhead projects that stretch Quartz further and build up our readership and journalism globally. These include new initiatives focused outside of the US. She’ll also continue to work with the Ideas team as we build on its success.

Mitra will continue to work part-time for Quartz and report her (fourth) book through the end of this school year, and return full-time after that.

Please join me in congratulating her.

Best,
Kevin

Hello Quartz –

I’m happy to announce that Paul Smalera will join us as Quartz’s Ideas editor as of November 5.

Paul comes from the New York Times, where he was the founding editor of its Op-Talk site and led the editorial team for the NYT Opinion iPhone app.

Paul is an entrepreneurial, tech-savvy journalist with hands-on experience editing the sort of global commentary that is the core fare of Quartz’s Ideas section. One former colleague describes him as “the real deal” and “very astute about reader platforms and social media, very curious about the world, very savvy as to what readers want.” Since before the launch of Quartz, I’ve hoped for an opening to bring him on to join us.

Paul earlier worked at Reuters, where he was technology editor, product manager for a new content management system, and deputy opinion editor. He also was a senior editor for technology coverage at Fortune and spent seven years as a professional web developer.

Paul’s mandate is to be bold and creative in approaching Ideas, experimenting with the form, approach, and outside contributors we work with. His efforts will build on the work that Mitra, Lauren, and Annalisa have done to make Ideas pieces among the most lively, impactful, and well-read content that we publish.

Please join me in welcoming Paul.

Best,
Kevin

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