Poynter Online Poynter Online
New UserLogin

Help Roy write his new book

THE GLAMOUR OF GRAMMAR:
A painless and practical guide to the elements of language.
Read all "Glamour of Grammar" posts.


Ask a question about writing

Contributors:

Roy Peter Clark


Roy's Reading List Books recommended on this blog

Subscribe to this blog's RSS feed

Sign up to receive this blog as an e-mail newsletter.


Tools

Fifty Writing Tools: Quick List and Audio Tips

Writing Tools podcasts

Download the Quick List [PDF]

Writing Tools -- The Musical


Other books by Roy Peter Clark:

Free to Write: A Journalist Teaches Young Writers

Journalism: The Democratic Craft

Coaching Writers

America's Best Newspaper Writing

The Changing South of Gene Patterson: Journalism and Civil Rights, 1960-1968

The Values and Craft of American Journalism


Also by Roy Peter Clark:

Poynter articles

Advice from Dr. Ink

Serial narrative
Three Little Words

The Honest Writer: Exploring the line between fact & fiction





Writing Tools
Roy Peter Clark provides tools for your writing toolbox.

Add/View All Writing Tools Feedback
More Writing Tools

Character in a nutshell
My question for the day is: How much detail do you need in a story to define character?

It depends on the length and scope of the story, of course. A book-length narrative might demand a long paragraph of details, even for a minor character. But then I think of the character Mary in Bruce Springsteen's "Thunder Road":

The screen door slams
Mary's dress waves
Like a vision she dances across the porch
As the radio plays
Roy Orbison singing for the lonely

A young girl in a dress dances on her porch to Roy Orbison's "Only the Lonely." I don't understand why, but this spare description makes me feel that I know this girl, that I want to rescue her, or have her rescue me. My imagination fills in what's missing.

See Jane Write
I found some good advice on character development in the new book "See Jane Write: A Girl's Guide to Writing Chick Lit," by Sarah Mlynowski and Farrin Jacobs. (Warning: The type in this book is printed in color: green and red -- or teal and berry, to be exact.)

Here's a taste:

The best trick I learned in a creative writing class was what I call "The Nutshell Moment." A high school teacher told us to think of one event or action in our lives that defined us. Just one. A studious guy in our class said that when he was a kid he memorized the first fourteen digits of pi. Digits he could still recite ten years later. I told the story of how when I read my first book, Ramona and Her Father, I was expecting doodles of balloons on page 100. As in Congrats! You made it to a hundred! Wahoo! If that anecdote was in a novel, you start to get an idea about the character -- likes to read, cheerful, possibly craves approval or rewards.

When I think of some famous literary characters, I admit that I often remember a single, defining characteristic, as when Holden Caulfield confronts the world wearing his red hunting cap. As I think of my own nutshell detail, it's not that I'm balding, or that I wear glasses, or have a few scars from skin cancer lesions. Those details apply to countless characters. I happen to wear my grandmother's wedding ring. That's me, I think, in a nutshell.

So think about the questions asked by the authors of "See Jane Write": Which detail defines you in a nutshell? Can you find nutshell details in the people you know and love? What kind of reporting do you need to find such details in strangers you write about?

Please share your reflections. Is there such a thing as a nutshell detail or nutshell moment? Or are such strategies futile shortcuts through the complexities of human character? 


Listen to Roy's newest podcast on Writing Tool #24. For all of Roy's podcasts on Writing Tools, click here.


Posted at 5:37:15 PM

E-mail this item | Add/View Feedback (2) | QuickLink this item: A122750


Writing Tools Archive
View items published between:   and   
(MM/DD/YYYY) (MM/DD/YYYY)

MAIN | Back to Top



Search Poynter Online
Search Poynter Online

When Principles Collide: The <i>NYT</i> and the CIA Interrogator
When Principles Collide: The NYT and the CIA Interrogator
New On Poynter
NYT and CIA at Odds
By Bob Steele

Gas Station TV is Here
By Rick Edmonds

Doom, or Not?
By Alan Abbey

Hostages Freed
Page One Today

Secondhand Twitter
By Amy Gahran

How I Wrote Father Tim
By Roy Peter Clark

Stupid Filter Tricks
By Amy Gahran

Workers' Comp Stories
Al's Tuesday Meeting

Ideas from Art Caplan
Al's Monday Meeting

Price of AWOL Dads
By Bobbi Bowman

Today's Mini-Tidbits
By Amy Gahran

Poynter Summer Fellows
By Jan Leach

Russert & Catholicism
By Roy Peter Clark

Wikipedia Caves
By Fons Tuinstra

Tableau Vivant Q&A
By Sara Quinn


  Site Map | Advertise | Search | Contact | FAQ | Our Guidelines QuickLink  
  Copyright © 1995-2008 The Poynter Institute
  801 Third Street South | St. Petersburg, FL 33701 | Phone (888) 769-6837
  Site developed & hosted by DataGlyphics, Inc.



Poynter Career Center
Thursday: When Should Intern Start Job Search?
Retaining Top Performers During Difficult Times