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It's a world that's becoming flat
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Should
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Mudd's wrong
11/19/2009 1:29:15 PM
From
HOWARD W. ROSENBERG
: I'm a former reporter who used to consider himself a news junkie – especially for being sucked into watching CNN, MSNBC and Fox News. I now only watch the three network evening news shows (usually taped on my VCR) and the NewsHour on PBS and read several daily newspapers. So when Roger Mudd
says
that the three, 30-minute network evening news shows can be easily done away with, he is ignoring the stunning fact that it's possible for people who would otherwise gorge themselves on "developing stories" and crosstalk to get a daily fix of TV news (by taping, if necessary, the three shows) and thus not devoting so much of their lives to following "developing stories." A refreshing thing about the three networks is that they don't try to suck you in anywhere near as much as the cable news networks do. Consider that something that "old media" does well compared to "relatively new media."
[Permalink]
Justice Kennedy and the press
11/18/2009 3:50:18 PM
From
JOHN MAGGS
: Subject: Justice Kennedy and the press. There is a "dog ate my homework" tone to the judge's
complaint
that he is being misjudged for the flap about his staff's efforts to censor (that's what it is when the government does it) a high school newspaper. Based on his interview with the Wall Street Journal, one wonders if he would otherwise care if he hadn't gotten an earful from those unnamed relatives. And that really captures the circumstances that led to this incident, and the judge's inability to see that it matters. The actual problem is the insularity of the federal courts, and the Supreme Court in particular, and contempt for the public's right to see what this co-equal branch of the government is doing. At this late date, the Supremes pretend as if it is sufficient to allow the same level of transparency for their activities that was appropriate in the 19th century. They pretend as if speeches to law schools and professional groups are "private" affairs, and they refuse to explain their decisions in the same way that all other parts of the government account for themselves -- through the press.
Justice Kennedy has a reputedly keen mind, but his argumentation in this case is pretty dull. In a time-honored tactic for blame-shifting, he said he "accepted responsibility" for the miscommunication that led to the flap, while trying to evade responsibility by claiming that it was all the fault of a subordinate. Then he tries to blame the messenger, the New York Times: "What a stupid story" -- without bothering to say why it was stupid. He petulantly refers to his "forty years of teaching" implying that this selfless service to America's youth was being repaid with impertinence by the school newspaper that leaked the story to the New York Times.
Then he pulls a cheap rhetorical trick, trying to claim that the Times absurdly implies that a Supreme Court Justice would spend his time rewriting high school newspaper stories: "'There was a clear suggestion that was based on a factual premise that was wrong' -- that he wanted to edit the student newspaper's articles." Actually the article correctly said that "Justice Kennedy's Office" wanted to edit the article.
Kennedy shows his sympathy for the plight of the news media, practically shedding tears about newspaper layoffs, to show how silly it is to accuse him of ignoring first amendment rights. If he really wanted to help newspapers, he'd actually advocate transparency in the federal judiciary that would increase the tiny number of reporters who subsist on the trickle of news allowed by the judges.
Finally, and most condescendingly, he says that his hewing to the Supreme Court's secrecy fetish is really done out of consideration for those poor students (the ones who dropped a dime on him) because he'd hate for them to be embarassed if the the mean old New York Times made their questions sound stupid. Alas, he's the one who sounds that way.
[Permalink]
Re CJR's piece on Pfizer
11/18/2009 1:29:41 PM
From
TED MANN
: I'm a staff writer at The Day in New London, Conn., which was recently in the news - and fodder for journalism critics - over coverage of Pfizer's decision to pull out of this city, years after it triggered the takings of private property that yielded the U.S. Supreme Court case in Kelo v. New London.
Coverage of the Pfizer story came in for a partially justified
critique
over at the Columbia Journalism Review, but that critique also badly misstated the way our paper, the local news source and the paper of record for the Kelo case and Pfizer's remaking of the Fort Trumbull peninsula, covered this as it happened. I sent the following email to CJR, but never heard back and have yet to see any sort of follow-up post correcting the record. So I thought I'd pass the issue on to your readers.
A lot of ink has been spilled on this case by media both local and national, some of that work great and some of it less so. There's plenty of room for criticism. But that criticism should reflect what actually got printed.
Ted Mann
Staff writter
The Day of New London
______________________________________________
From: Mann, Ted
Sent: Tuesday, November 17, 2009 1:36 PM
To: 'rc2538@columbia.edu'
Cc: Collins, David; Robinson, Kenton
Subject: Your post on Kelo
Ryan,
As you can imagine, since I wrote one of The Day's follow up stories on Pfizer's pull-out and the Kelo case, I read your CJR post with interest. First, I wanted to send you a link to the story I wrote, since the one that you posted appears to be a busted link. I think our story stands with anything any other paper's written on the subject, and would like people to be able to see it.
Here's the
story
.
Second, while I realize you're talking more about the national press, I think it's unfair to say the Times was "first out of the gate" in its response to this news. Our story came out days before theirs did, and as you will see it also broke some news: namely, that Pfizer had far more interest in some of the land directly seized from property owners (as opposed to the land on which it actually built its headquarters) than the company has ever let on. Furthermore, that story linked to one that I wrote back in 2005 that more comprehensively disproved the company's denials that it had any involvement in the design of the Fort Trumbull redevelopment project. It has always confounded me that that story didn't ever merit a real mention by the national press who had covered the Supreme Court case and faithfully published the company's denials. That 2005 story is
here
. BIZpharma, the project map that ABC News flashed onscreen during its report last night came from this article, and from months of negotiating with the state to turn it over to us.)
Obviously, this is pretty typical frustration -- we're closer to the story, and don't get as much attention because of our size compared to the bigger outlets that parachute in for a moment. And I and others here have worked on these pieces for years, so it's a little galling when people who haven't actually read our paper over the course of this decade-long saga suggest we haven't been doing our job.
But there is one clear error in your post. Our paper did have a same-day piece that focused on Pfizer, the Fort Trumbull redevelopment project, and the remains of the neighborhood. It was written by our metro columnist, David Collins. I think the reason that the business stories on the effect of Pfizer's departure dealt with the Kelo issue in passing was specifically because David would be writing about Fort Trumbull in his column, and I'd be writing a separate story on the history of the case. Mine would have run the same day but for one other development - that's also the day the governor announced she wouldn't be seeking a second term.
David's column is
here
.
Anyway, thanks for calling attention to this story in the first place. As you can tell, I am in firm agreement that it remains a very, very big deal, however misunderstood -- or simply manipulated -- some of the facts of the case have become.
Sincerely,
Ted Mann
[Permalink]
Save the archives!
11/17/2009 8:49:33 AM
From
BILL DOBBS
: Subject -- What about the Window Media archives? Over the years publications that target gay/lesbian/bisexual/transgender audiences have come and gone -- witness today's tumult at Window Media LLC. A key newsweekly, The Washington Blade, may be no more after celebrating its 40th anniversary last month.
There's one very important angle that gets overlooked when minority media outlets go out of existence: archives. In today’s digital world, what happens to the online archives? Earlier this year the New York Blade shut down and all its online searchable back issues vanished. The same thing happened when Lesbian Gay New York (LGNY) declared bankruptcy -- years of issues that had been available and searchable online were gone. A new publication took up where LGNY left off -- Gay City News -- but what about all that community history, the public record of political and cultural matters? In the wake of the Washington Blade’s demise there are reports that another publication may arise, perhaps staffed with former Blade employees. I sure hope so – gay community publications have a vital role to play even in an era when major media outlets have pumped up their coverage of sexual minority issues. I also hope Window Media LLC's owners/shareholders will keep the Washington Blade, Southern Voice, South Florida Blade, etc. archives – online and otherwise -- available. Publisher, editors, writers -- and GLBT communities -- have a responsibility to ensure that such archives remain intact and widely accessible.
[Permalink]
NYT responds to Gawker piece on Spitzer coverage
11/4/2009 3:47:58 PM
From
DIANE McNULTY
, media relations, New York Times: Any
suggestion
that The Times went too easy on the Spitzer administration seems a bit absurd in this context.
Our goal, always, is to get the facts right. Dealing with sources responsibly and professionally serves that goal, and that is what our reporters did in this case.
[Permalink]
Gray Matters columnist leaves Newsday
10/30/2009 1:39:16 PM
From
SAUL FRIEDMAN
: Your readers may wish to know this: After 13 years of writing
"Gray Matters"
for Newsday and the McClatchy Trib service, and more than 50 years in newspaper journalism, (for Knight-Ridder and Newsday), I have severed relations with Newsday and will write for Ronni Bennett's
Time Goes By
.
I will write the weekly Gray Matters as well as a twice monthly essay, "Reflections."
The main reason: The new owners of Newsday, Cablevision, have shut
off access to its web site, even to me. It is available only to Newsday subscribers or to subscribers to Cablevision's ISP. Thus I cannot send my columns to people who don't subscribe to Newsday. And if it is picked up by Google or Yahoo, it would not be accessible.
[Permalink]
A sad day in journalism
10/29/2009 6:17:12 PM
From
JAMES BANDLER
: The Boston bureau of the Wall Street Journal has always been bit of a dump, a dun-colored warren of cubicles seven floors above Post Office Square. It looks more like an insurance agency than a newsroom. It was never in the thick of things like New York's Money and Investing unit, or as influential as Washington. But under its successive chiefs, Larry Ingrassia and Gary Putka, no bureau could outdo Boston when it came to Page 1 stories.
I was lucky enough to spend most of my career at the Journal in the Boston bureau. I had come in 1999 after three of its legends, Ron Suskind, Dana Milbank and the great John Wilke had gone on to other things. But as a young, and very green reporter, I'd read and reread their clips, wondering: How the hell did they do that?
My own colleagues' work evinced similar reactions. If you want to be outraged, go read David Armstrong's killer body of work on conflicts of interest and deceit in the medical industry. It is some of the best investigative reporting ever produced. Or pick up Dan Golden's Pulitzer Prize winning series on affirmative action for rich people at elite colleges. Or Laura Johannes and Steve Stecklow's Polk winning work on Fen-Phen. All stunning.
Putka had a knack for hiring (disclosure: I was foisted on him). He had a penchant for geniuses with math and science backgrounds. He plucked Keith Winstein out of MIT's doctoral program in computer science. Sylvia Westphal had a Harvard PHD in genetics. Mark Maremont, my last boss in the bureau -- he was just smart. He had the foresight to see a scandal in an obscure University of Iowa study on stock options backdating. Charles Forelle, a kid fresh out of Yale, had the math skills to prove the scandal was real.
The bureau did work with real moral power. Look up John Hechinger's stories on abuses in the mortgage market. Alan Greenspan should have read them. They were written in 2001 and 2002.
The bureau wasn't just great at investigative journalism. One of the best feature writers on the planet, the pony-tailed Robert Tomsho, could write a story one month that would make you weep. (See the article he, Barbara Carton and Jerry Guidera wrote after the 9/11 tragedy, "Luck Among the Ruins.) If you want to laugh, read Tomsho's Thanksgiving oeuvre. Or Joe Pereira's hilarious story on the Thai scrabble champions who didn't speak a word of English. I could go on and on.
People often asked why Boston constantly produced such great work. Was it something in the water? I don't think so.
It was simple really. The reporters were challenged to look hard for stories outside the daily news scrum. And then to report them. And report and report until they had it nailed.
The death of the Boston bureau is a sad day in journalism. But I know that the hard-working men and women in that bureau will again achieve great things.
A few minutes ago, I emailed several former colleagues today to suggest we go out for some beers -- call it an Irish wake.
I got the following responses:
"Can't."
"Can't."
"Can't."
Typical Boston Bureau. They're too busy. Another Page 1 story is going to bed tonight.
[Permalink]
Pathetic viewing
10/8/2009 6:52:06 PM
From
DAN MITCHELL
: Re: The O'Reilly
interview
with Dennis Miller. I can only say that relieved to have never worked for an organization where I would feel compelled to ask, as my very first question, "Why do they hate us?"
For some people, apparently, a couple of angry, resentful dudes sitting around complaining about all the people who "hate" them makes for great television. Which is pathetic, but hey -- if they like it, they like it. I'm just glad I'm not part of it, or forced to watch.
Permalink
Gourmet added readers
10/7/2009 5:18:29 PM
From
RUSS PARSONS:
I agree with
Trevor Butterworth
. It's too easy to try to find deep sociological significance in what was a business decision. If readers had been abandoning the magazine, the situation would be different. But, in fact, according to what I could find with a little creative Googling, the magazine actually added almost 100,000 readers over the last decade (885,000 in 1998 to 950,00 at closing). That doesn't exactly sound like a massive rejection of an outdated cultural ethos. (Necessary disclaimer: Gourmet editor Ruth Reichl hired me at the Los Angeles Times and is a friend.)
[Permalink]
In defense of Gourmet
10/7/2009 12:24:13 PM
From
TREVOR BUTTERWORTH
: The
idea
that Gourmet is a symbol of a bygone age in America and that its demise reflects a deeper cultural change is silly. That would be like saying, hey, The New Republic has lost ad revenue and circulation, therefore people are no longer interested in liberal political analysis or something to that effect. The attempt to correlate brutal financial calculations with cultural meaning could, on the same account, be interpreted as America entering a post-wedding era. But did anyone suggest that the axing of a bevy of bride magazines heralded an end to marriages and weddings? No, Chain-Saw Chuck Townsend simply cut Conde Nast's costs by spending money on McKinsey to help legitimate decisions that could have been made by any competent accountant. The company wants big profits. It needed the focus and cover provided by an outside consultancy. And, crucially, it wasn't interested in imaginative solutions to capitalize on a magazine with almost a circulation of a million and, as the comments on the
Facebook group
I created testify, incredible brand loyalty. Consider this heartbreaking comment from Pam:
"This is a magazine I'm willing to fight for. Gourmet was a replacement for my mom who passed away when I was young. Never having a large extended family with traditions, I learned from Gourmet magazine and it became that family for me. Pasta sauce didn't come from a jar, cakes didn't come from a box. Making things from scratch, using exotic ingredients (read: I would have to step out of the "safety zone" of my local grocery store and step into those that were asian, latino, greek, etc.) opened up not only my taste buds but my world in general."
Out of touch with America? Too elitist? These kinds of justifications in medialand tend to be born of inverse elitism.
[Permalink]
Feeling time-warped to 1991
10/2/2009 11:09:43 AM
From
DAN MITCHELL:
What a bizarre
letter
from Susan V. Wallace. I feel like I've been time-warped to a campus debate in 1991.
The ads are presented as "weird and creepy." They shouldn't be made fun of? Laughed at? What should we do instead? Pretend they never existed? Or is her problem only with the presentation -- would it be better if the Courant treated the ads very somberly, as examples of pure evil? I guess so, since she equates stupid, sexist advertiements with the Holocaust. Which is, you know, nuts. I wonder what Ms. Wallace thinks of "Mad Men," which exists to make fun of the insane level of sexism that existed not very long ago.
She's right, though, that the paper probably didn't present racist ads because the editors were afraid of the blowback. Which I see as a shame. Those should be laughed at, too, and newspapers shouldn't cower in fear of anyone.
Further, if Ms. Wallace knows of any examples of ads using images of "the Holocaust or slavery or lynchings or beatings of men," I hope she'll let us know about them. Because the only way for her argument to hold any logical water is if such ads ever actually existed. And even then, her argument would make little sense, since while the sexism depicted in the ads is certainly deplorable (if funny in a "how stupid we were" sort of way), it hardly equates with systematic genocide, racist murder, or gender-based violence.
[Permalink]
Has she ever seen "Mad Men"?
10/1/2009 2:41:50 PM
From
SUSAN V. WALLACE
, attorney: Today, the Hartford Courant is offering a number of grossly misogynist
images of women and girls
, and "cute" depictions of domestic violence against women in a "funny news" photo gallery:
See espcially photo numbers 1, 13, 16, 18, 26, 32 in the above photo gallery.
These are from mass media advertising from not very long ago, really ... these are the media images anyone over the age of 45 saw as a kid. But note how while the Courant refrained from publishing any of the racist images prevalent back in the day, and there isn’t a single image demeaning of men, thankfully of course … so why do this to women and girls, not as a commentary piece or for dialogue, but merely for a laugh?
Who made this editorial decision? Offering these images, particularly the ones of DV, as "funny" are grossly insensitive considering the several recent instances of horrific violence on women right here in Connecticut, and while this paper is simultaneously making its money running pieces on the home invation/ rape/murders of a Cheshire, CT mother and her two daughters, the murder of Yale student Annie Le, the kidnapping of local lawyer Nancy Tyler in her home which was burned to the ground, with her in it until she escaped, by her estranged husband, and the Courant’s month-long coverage of the outrageous problem with DV in this state. If they are going to put these vile inciteful images out there for the public, then they need to do it responsibly, in the context of a dialogue about why and what these images can teach us.
Imagine if these were images of the Holocaust or slavery or lynchings or beatings of men offered up for a laugh? The image of the flight attendant is demeaning on so many level, and the sexual innuendo in the image suggesting "enjoying a flight" "up skirt" of the little girls defies a civil response.
The Courant must be called to task for this within its professional community.
[Permalink]
WP reviewer wrong about The A.V. Club
9/22/2009 4:02:18 PM
From
NATHAN RABIN
, head writer, The A.V Club: I think that when contemplating a person or institution's legacy it's wise to throw out their apex and nadir. Both are misleading. No one is ever as admirable as they are during their defining moment of triumph, nor as loathsome as they might seem during their darkest hour. So when I think about The Washington Post's rich history I'm going to disregard the whole Watergate kerfuffle and Daniel Mallory's
review
of my memoir "The Big Rewind" in Saturday's issue, which doubled as an attack on my colleagues at the A.V Club.
The criticism of "The Big Rewind" didn't particularly bother me. I'm a big boy; I can take it. But the account of The A.V. Club was so disingenuous, inaccurate, personal, and ill-informed that it merits a response. In the context of what was supposed to be a book review, the reviewer critiqued an entertainment
website
that seems to exist only in his imagination. The review read like a dispatch from an alternate universe in which the sincere, compassionate pop-culture lovers that I work with every day had morphed into goateed, dead-eyed, alien-controlled doppelgangers who exist only to ridicule and mock.
The hipster bogeyman A.V. Club described in the review bears so little resemblance to the section I write for as to be unrecognizable. For starters, The A.V Club is not my "brainchild." I am not, Mr. Mallory's words, its primary "snarkitect." I did not create it, nor am I a Svengali covertly pulling the strings. I'm not even an editor. The review accidentally and carelessly flattered me.
But I think I can speak for my colleagues when I say that my relationship with pop culture is one of passionate engagement and affection, not the snide superiority Mallory seems to feel defines The A.V Club. I became a pop-culture writer because I love movies, music, and books, and I wanted to share that enthusiasm. I want every movie to be good. It breaks my heart when art doesn't live up to its potential. I got into this business so that I could infect people with that overriding passion.
It's that idea that powers A.V. Club features like Primer, Random Roles (essentially an open-ended love letter to character actors) Gateways To Geekery, The Comics Panel, Noel Murray's Popless, Keith Phipps' Big Box Of Paperbacks, Leonard Pierce's Metal Box, Scott Tobias' New Cult Canon, Mike D’Angelo's Scenic Routes, and my own My Year of Flops and Nashville Or Bust. But Mallory didn't mention any of these features, presumably because they did not fit his conception of The A.V. Club as a den of vipers mindlessly devoted to tearing down what others create. This outpouring of sincere appreciation seems incompatible with what Mallory describes as The A.V. Club's "crueler-than-thou hipster solipsism." For folks accused of hating nearly everything, we seem to love an awful lot.
Mallory goes on to decry what he sees as the section's tendency towards snark, yet dismisses Terry Gilliam and Wes Anderson as "fauxteurs" and the Beastie Boys in ways that suggest their worthlessness is so self-evident it doesn't need to be backed up with anything more than a sneering turn of phrase. In battling the demon snark, Mallory has internalized its worst qualities.
[Permalink]
They're not hard to find -- really!
9/16/2009 3:36:12 PM
From
MIKE VACCARO
, New York Post: I think it's appalling that for a piece detailing the death of newspaper sports sections that Real Sports
never bothered
to get on camera someone who ... you know, actually WORKS for a newspaper sports section. The Joe Posnanski spot was filmed long after his departure from the Star to SI was announced, so instead what we get
are 1) an angry Jay Mariotti, who clearly (and maybe justifiably) has
an ax to grind against his former employer; 2) Posnanski, who tries
to fight the good fight in the piece but, let's face it, has already opted to leave the fight behind; and 3) Phil Bronstein, whose stewardship over the BALCO story is an interesting bit of trivia but doesn't speak at all to the daily fight to keep sports sections relevant.
It's especially troubling, I think, because Real Sports is generally a beacon of journalistic fairness and is usually pretty exhaustive in presenting a balanced story. Mary Carillo, for instance, said at the end of her piece on swimming in the African-American community that she sought out the KKK leader who 35 years ago tried to ban blacks from the waters of his community, and while he wouldn't comment on camera she did present his side of things. So HBO thinks it imperative to track down an Imperial Wizard, but not one of the thousands of people still actually working in newspaper sports sections?
We should expect better, especially from one of our own.
[Permalink]
Ball State paper corrects Jason Whitlock story
9/11/2009 3:02:19 PM
From
VINNIE LOPES
, editor-in-chief, Ball State Daily News. We've corrected our
online story
[about Jason Whitlock] today and are publishing a clarification in our next print edition, Monday. In fairness to Whitlock, we’re asking if you could update your link accordingly.
Our online story erroneously implied that Whitlock said his current feeling is that he's making a sacrifice through his journalistic efforts and will never be rich.
In fact, Whitlock indicated in his talk that this was his attitude as a young journalist. Whitlock in his talk indicated that he is justly well compensated. He indicated his motivation remains, however, to challenge conventional assumptions and to challenge those in power.
Secondly, in print and online we said that Whitlock as a Ball State student wrote about a fight between two football players.
In fact, while a football player for the school, Whitlock said he witnessed (but did not write about) a fight between two football players and complained to the coaching staff when only one of the players – a black student – was kicked off the team. Eventually, Whitlock said, the student was allowed back on the team.
We've made these changes to our online story and hope you might update your link on the blog so that Whitlock isn’t unfairly maligned because of our mistake.
We note that your link on the blog says:
Sports columnist Jason Whitlock told a Ball State audience that "the sacrifice I'll make is that I'll never be rich." That, he said, "was really the most patriotic thing I could do: challenge the authority."
More accurately, that should read:
Sports columnist Jason Whitlock told a Ball State audience that as a young journalist he determined "the sacrifice I'll make is that I'll never be rich." That, he said, "was really the most patriotic thing I could do: challenge the authority."
[Permalink]
Blurbing for bucks
9/2/2009 5:42:37 PM
From
DAVID MACARAY
: Has anyone ever heard of someone asking to be paid for a blurb? I have a book on organized labor coming out next month (hopefully!), and, at the urging of the editor, I asked several people (labor people, writers, academics) to kindly consider contributing a short blurb for the back cover.
To their credit, everyone insisted on inspecting the complete manuscript before commenting. That is everyone except one....and he offered to submit a blurb in return for an "honorarium" of $1,000. The editor and I were thrown for a loop. Although this person has a well-known name, a thousand bucks seemed more like a "fee" than an honorarium. Has anyone else had a similar experience?
[Permalink]
"Novak will be missed"
8/18/2009 12:40:13 PM
From
JIM STINSON
, reporter, Rochester, NY: One of the great things about Robert Novak's columns was he attached real reporting and "shoe leather" to his work.
I read his column religiously, especially the Washington "tidbits" column which usually came out on Monday and had all sorts of insight and behind-the-scenes reporting regarding D.C. issues. That Sunday-Monday column was the print version of the blog before the blog. I miss it.
I never met Novak, but I once attended a dinner in his honor, in the 1990s, at which Sam Donaldson roasted him, and produced a massive flow chart of the Novak column process. Novak, the best columnist-reporter, will be missed. ||
Permalink
Geography lesson
8/18/2009 11:16:54 AM
From
DICK WILLIAMS
, publisher, Dunwoody Crier: On the web Monday and in print Tuesday the Atlanta newspaper announced that it is moving from downtown Atlanta to offices "near Perimeter Mall."
In fact and in truth, the new offices are in Georgia and the nation's newest city, Dunwoody (December 1, '08). After about the fourth rewrite and in the sixth graf, the newspaper finally mentioned Dunwoody, the city to which it was moving. The newspaper either didn't know that or was having a catch in its throat naming a city whose creation it opposed for three years.
The Dunwoody Crier has a proud 29-year history as the newspaper of
record for its larger circulation area and now for the new city. We look forward to explaining to the AJC where it is located, why its residents hate it and how difficult it's going to be to walk to lunch, the cobbler or the dry cleaner.
After years of radical opposition to "sprawl" and "edge cities," the AJC has chosen a lonely outpost of 1980s suburban office development, just a mile or so away from the live-work-play community the citizens of Dunwoody fought hard to create. The closest bar is half-mile away. The subway station is a very long walk, but the employees will be secure. Dunwoody has a police force that takes crime seriously. The AJC staff might like the suburbs it has villified for 30 years.
Still, I welcome my former colleagues to a suburban world so foreign to them and I wish them well. A successful metro daily is vital to the region.
"Brill's been getting away with murder for years"
8/3/2009 5:50:34 PM
From
GARY DRETZKA
: Let's see if I got this straight. Bill Mitchell
interviewed
Steve Brill for 25 minutes and all he got was an infomercial for the Great One's Journalism Online toll-booth project? I would have thought that after Mr. Brill refused to name his any one of his "hundreds" of clients, Mitchell would have done what most other journalists would have done and ended the proceedings, saying "I can wait until you're ready to announce something more concrete."
What other purpose was served by that column? "Not if ... but how?" C'mon. That's not blogworthy as news or commentary.
Brill's been getting away with murder for years, dishing out pithy quotes and bromides to any journalist who needs one. Here's another cliche, "Where's the beef?"
Publishers are famous for throwing good money after bad, and Brill's merely provided them with an excuse to toss currency at his geniuses ... not reporters or editors. No one on the web is going to pay for the kind of crap provided in the lower 98 percent of American newspapers. The other 2 percent will find their own ways to make money.
[Permalink]
Hardly a "scoop"
7/16/2009 3:25:58 PM
From
CASEY SEILER
, State Editor, Albany Times Union: Here's a note I sent yesterday to James Ledbetter at The Big Money after reading
the item
you linked as "Why uphold an embargo if the news has been reported?"
Marc Gunther's story -- a fine and comprehensive report -- wasn't exactly the "scoop" Ledbetter claims: Our environmental reporter Brian Nearing did a long Sunday piece on the same program about three months ago. We gave it big play on our Sunday front and sent it over the Hearst wire.
I sent this note 24 hours ago, and got a quick response from Ledbetter
thanking me and noting that he'd take a look. So far, his original post
hasn't changed at all, which ticks me off a little.
No, wait -- it ticks me off a lot, especially considering Ledbetter's
withering charge that while "environmental blogs ... as well as social media sites and aggregators like the Huffington Post" had picked up Gunther's story, "So far, though, no large mainstream news organization is linking to the TBM story -- not the Wall Street Journal, New York Times, or any daily paper, or big TV network, or national magazine."
(Ledbetter charges those entities with self-censorship out of fear of
cheesing off Wal-Mart's press embargo. I can assure you that at no time in the production of Brian's story did either of us raise a concern about
hurting the retailers' feelings.)
Ledbetter moved quickly to amend his post on Wednesday morning after the Wall Street Journal linked to Gunther's story. He's been a bit more, well, deliberate in giving Nearing any credit for our April 12 piece -- which, as far as I can tell, was a genuine scoop.
In the scope of things, this isn't a big deal. But I've recently watched a
number of complex stories that my paper's journalists have invested time and resources chasing down get picked up by larger media outfits without any acknowledgement of the work that went into breaking them.
I'm certainly not charging that Gunther picked up Nearing's story and came back at it, only to have Ledbetter mislabel it as a scoop. But for Ledbetter to continue to charge that the bad old mainstream media are ignoring a potentially transformational environmental story when he's been informed that not only did our paper devote a great deal of ink/bytes to it, but we did it three months before his outfit did, is just a bit much.
I think it was Hyman Roth who said, "This is the business we've chosen" -- but still.
[Permalink]
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