A lot has changed in the decade since Dr. Scott Lieberman captured an iconic shot of Space Shuttle Columbia breaking apart on Feb. 1, 2003. The 6-megapixel digital camera he used to capture the shot was a curiosity then — he’d had to order it from a Canadian distributor because he couldn’t find one in the U.S. To get the photo out to the world, he had to drive the file to the office of his local newspaper. And since then, of course, the United States stopped flying space shuttles.
Lieberman has picked up a sideline to his interventional cardiology practice in the decade since the disaster. He’s an independent contract contributor to the Associated Press now, with hundreds of photos carrying his credit.
“Getting published was a fantastic, visceral event,” he says on the phone from Tyler, Texas, where he still lives.
After his Columbia shot ended up on the front pages of more than 100 newspapers and the covers of Time and Paris Match, Lieberman says he studied “hundreds of thousands of images” and befriended AP photographers he could learn from. He attended shuttle launches and landings — in fact, he scored with another shuttle shot in 2006 when Shuttle Discovery was heading back to Florida after a stopover at Barksdale Air Force Base. He attended with many other photographers.
“Almost everybody left” after the shuttle took off and headed north, Lieberman remembers. “Last time I looked, Florida was south and east of us.” So he trained his tripod on the early sky and captured a shot of the shuttle silhouetted against the red morning light. “That was not a dumb luck picture,” he says.
Lieberman says he has “a little bit of a scientist’s, observer’s nature, and I think that’s what I bring into the photos.” Also, he says, he can afford nice equipment. He’d purchased the 6-megapixel Canon EOS-D60 he used for the original Columbia picture as a way to get back into photography before a trip to Alaska. “You probably did have to be a doctor or a lawyer to have one of those things,” he says, laughing. He says he gets a lot of use out of his 400mm f2.8 lens, a very expensive piece of glass. “I’ve always said what I lack in skill I can compensate for in better equipment,” he says.
When Lieberman’s Columbia image ran on the cover of Time, the photojournalism establishment still regarded digital photography with a slightly wary eye. Vin Alabiso was head of photography for AP when Poynter’s Kenny Irby interviewed him about Lieberman’s photo; he predicted at the time the image, which the wire service disseminated hours after the event, would wear down some of that resistance. “There is no question that this photo will be one famous photograph of the year,” Alabiso told Irby. “Additionally, given the technology of the day and our instant delivery abilities, pictures can now move further, faster than ever before. Tyler helped us make this happen.”
“Suddenly there was an appreciation that, yes, you could carry a digital camera,” Lieberman says. “The wariness that existed was rooted more in the speed than in image quality,” Poynter’s Kenny Irby says. “The media industry would just as soon settle for a lower resolution frame grab given the lack of a quality still photograph.” Irby says Lieberman’s photograph did “contribute to the strong validation in the potential and power of digital photography for real time news coverage.”
And of course, Lieberman’s photo came at the dawn of a golden age for citizen journalists — from George Holliday’s Rodney King video to Janis Krum’s photo of the “Miracle on the Hudson.” It’s no longer surprising when someone not employed as a photographer takes a shot that amazes the world. (Sadly, it’s also a time in which it’s no longer surprising to hear about photographers who are no longer employed.)
“There is no doubt that Dr. Lieberman captured a historic moment in U.S. space flight history,” Irby says. “It certainly contributed to the expansion of citizen journalism in the photographic reporting arena. And it is particularly unique that someone of his professional accomplishment would continue to consistently contribute to practice photojournalism professionally. His contributing work with Associated Press has been commendable.”
Lieberman takes photos of celebrities who come through Tyler, and he sometimes self-assigns news events where he knows pros will be so he can try to get an unusual shot. And he still trains his lens on the sky with some frequency — lightning is a specialty. In fact, one of his shots of lightning in the Texas sky ran in USA Today this week.
I had to ask: Does Lieberman’s medical training ever come in handy when he’s moonlighting? Under the constraints of the Hippocratic Oath, he couldn’t give me specifics, he says, but he’s helped fellow photographers in the field — one at a shuttle launch — and also given many of them medical advice on the phone or via his Facebook page. “I’ve felt more than obligated to help them when I can,” he says. “I’ve learned a lot through exposure to these people.”
Once at the Tyler newspaper offices, he says, an editor complained of some symptoms and Lieberman suggested he get a stress test. The guy ended up having surgery. “I wouldn’t jump up and down and say it saved his life, but it certainly could have,” he says. He’s made lasting friendships with people he hasn’t sent to a gurney, too. “As awful as the original picture was, the disaster it represented, some good has come out of it,” he says.