Articles about "Best Practices: Visual Journalism"


Interactive Media

Explore the makings of interactive journalism

At some point, every journalist grapples with figuring out what his or her story is about – particularly if that story involves complex data sets or government documents, and the end result will be an interactive project rather than a straightforward narrative.

Perhaps Andrew DeVigal can help.

DeVigal is director of content strategy at Second Story and the former multimedia editor at The New York Times. In a phone interview, he shared the steps he takes when starting an interactive project to ensure the results form a cogent story.

The first question he asks himself is a deceptively simple one: “What does the content want to be?” It is a question he attributes to a former colleague at The Times, Steve Duenes, AME for graphics.

DeVigal, a self-described “natural organizer,” likes to partition the information into buckets to understand the different pieces of the story.… Read more

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Tips for Storytellers: Your personal brand

If someone “googles” you, what will they find? A well-crafted, professional profile? The finest samples of your work? A summary of your ideas about the future of journalism? Over time, you leave quite a digital trail. Here are bits of advice for refining your personal brand—part of a series of graphics with tips for storytellers. Next Friday: Tips for data visualization.

Poynter Quinn-fo-graphic: Creating Your Personal Brand

For a PDF: Poynter Quinn-fo-graphic: Creating Your Personal Brand

Related: How to make photos better | How to polish your writing | How to make the most of your tweets | How to get your video right  | Tips for an online portfolioRead more

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Tips for Storytellers: How to make photos better

As a designer and editor, my projects have been made infinitely better because I’ve worked with stellar photojournalists. They’ve patiently schooled me on the importance of capturing the moment, finding the best light and thinking about composition. Here are a few tips. Part of a series of graphics with tips for storytellers, think of this as bite-sized inspiration. Next Friday: How to create your online portfolio and personal brand.

For a PDF: Quinn-fo-graphics: How to make photos better

Related: How to make the most of your tweets | How to get your video right |
How to polish your writingRead more

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Tips for Storytellers: How to polish your writing

Lucky me. My office is two doors down from one of the world’s best writing coaches. I go to Roy Peter Clark often when writer’s block hits me. Here, you’ll find a few particularly helpful tips. Part of a series of graphics with tips for storytellers, think of this as bite-sized inspiration. Next Friday: How to make your photos better.

Poynter Quinn-fo-graphic: Polish your writing

For a PDF: Poynter Quinn-fo-graphic: How to polish your writing

Related: How to make the most of your tweets | How to shoot great videoRead more

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Tips for Storytellers: Get your video right

If you never trained for video, here are a few basic tips from Regina McCombs, senior editor for visual news at Minnesota Public Radio and Poynter adjunct faculty.

Part of a series of graphics with tips for storytellers, this infographic can be thought of as bite-sized inspiration.

Last Monday: How to make the most of your tweets Next Friday: Tips for polishing your writing, with Roy Peter Clark and others

For a PDF: Poynter Quinn-fo-graphics: Get your video right

Related training: Effective News Videos with Videolicious: A Digital Tools Tutorial, Oct. 30 | Key Elements to Compelling Video Storytelling, on-demand Webinar replay… Read more

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Why rainbow colors aren’t the best option for data visualizations

Data visualizations are beautiful, exciting ways to tell stories. But you have to choose carefully in designing a map or chart, and one of the biggest mistakes is misusing rainbow colors.

Rainbow color schemes — also called spectral color schemes — are frequent choices for visualizing data, both because they look bold and exciting and because they’re the default for many visualization software tools. But they usually do more harm than good. Detecting the colors at all is a problem for more readers than you might guess, and the rest of the audience will find it easier to understand the visualization if it’s presented with a different palette.

Rainbow color schemes are “almost always the wrong choice,” Anthony C. Robinson, geography professor at Pennsylvia State University, wrote in an online class on Coursera, which taught students how to use geospatial technologies to map data.… Read more

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How The Verge used visuals to tell the delicate story of a face transplant

The ordeal of a woman who received a total face transplant is hard for an audience to fathom without seeing it. But Verge science editor Katie Drummond had a challenge beyond potentially making some readers squeamish: how to tell the story with the care and respect Carmen Tarleton deserved.

45-year-old Carmen Tarleton worked as a registered nurse in Thetford, Vt., before she was attacked by her husband in 2007. She has two daughters, Hannah and Liza.

Tarleton’s ex-husband attacked her with lye and a baseball bat in 2007, and media coverage afterward upset her because it prefaced stories with disclaimers like “‘warning, this footage is graphic and may disturb some viewers,’” Drummond wrote in an e-mail to Poynter.

That horrified Tarleton, Drummond wrote. “The idea that her own face was being treated as if she was some kind of monster, or that her disfigurement made her somehow less human.”

Drummond and the editors at The Verge wanted to respect Tarleton’s feelings.… Read more

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Apple: ‘You need a dirty mind to be an editor in this business’

The Visual Side of Journalism

That’s the observation of Charles Apple, who notes some sexually suggestive graphics and headlines that have slipped past editors. One of them is this recent weather graphic from USA Today:

“You need to have a dirty mind to be in the business of mass communications,” Apple writes. “Or, at the very least, you need someone with a dirty mind on your staff. Because you do not want to give the sixth grader in all of us this kind of viral amusement.” More examples in his post.… Read more

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"My editors agreed that black and white got the readers to the heart and soul of the images without any distractions," said Davidson.

Pulitzer Prize-winning photographer captures emotional, physical wounds from gang violence

Barbara Davidson‘s “Caught in the Crossfire” project, which won this year’s Pulitzer Prize in feature photography, features authentic images that tell untold stories, as they capture intimacy, depth and compassion.

The photographs in “Caught in the Crossfire” give people a reason to pause and reflect on how victims and their families have endured the effects of gang violence in Los Angeles. And they relay the seriousness of the issue in ways that words alone can’t.

I talked with the L.A. Times’ Davidson via email about her reporting process, why she chose the photos she did, and what advice she has for other journalists covering gang violence. You can read our Q&A, which has been edited for clarity, below.

Kenny Irby: Tell me about the “Caught in the Crossfire” project.Read more

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What tools can journalists use to improve their visual storytelling skills?

In this week’s career chat, we talked with Wasim Ahmad, an assistant professor of journalism at Stony Brook University. Ahmad has been an copy editor, photographer, Web editor and content producer, and he started Journographica — a site where he posts tips about visual journalism.

During the chat, Ahmad talked about several tools that all journalists can use to improve their visual storytelling skills. He answered chat participants’ questions about the tools he described and talked about how these tools relate to some of the latest trends in visual journalism.

You can revisit this page at any time to replay the chat.

<a href=”http://www.coveritlive.com/mobile.php/option=com_mobile/task=viewaltcast/altcast_code=c4957287a9″ mce_href=”http://www.coveritlive.com/mobile.php/option=com_mobile/task=viewaltcast/altcast_code=c4957287a9″ >What tools can journalists use to make stories more visual?</a>… Read more

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