Articles about "Best Practices: Visual Journalism"


Interactive Media

Explore the makings of interactive journalism

At some point, every journalist grapples with figuring out what his or her story is about – particularly if that story involves complex data sets or government documents, and the end result will be an interactive project rather than a … Read more

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Tips for Storytellers: Your personal brand

If someone “googles” you, what will they find? A well-crafted, professional profile? The finest samples of your work? A summary of your ideas about the future of journalism? Over time, you leave quite a digital trail. Here are bits of … Read more

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Tips for Storytellers: How to make photos better

As a designer and editor, my projects have been made infinitely better because I’ve worked with stellar photojournalists. They’ve patiently schooled me on the importance of capturing the moment, finding the best light and thinking about composition. Here are a … Read more

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Tips for Storytellers: How to polish your writing

Lucky me. My office is two doors down from one of the world’s best writing coaches. I go to Roy Peter Clark often when writer’s block hits me. Here, you’ll find a few particularly helpful tips. Part of a series … Read more

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Tips for Storytellers: Get your video right

If you never trained for video, here are a few basic tips from Regina McCombs, senior editor for visual news at Minnesota Public Radio and Poynter adjunct faculty.

Part of a series of graphics with tips for storytellers, this infographic … Read more

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Why rainbow colors aren’t the best option for data visualizations

Data visualizations are beautiful, exciting ways to tell stories. But you have to choose carefully in designing a map or chart, and one of the biggest mistakes is misusing rainbow colors.

Rainbow color schemes — also called spectral color schemes … Read more

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How The Verge used visuals to tell the delicate story of a face transplant

The ordeal of a woman who received a total face transplant is hard for an audience to fathom without seeing it. But Verge science editor Katie Drummond had a challenge beyond potentially making some readers squeamish: how to tell the … Read more

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Apple: ‘You need a dirty mind to be an editor in this business’

The Visual Side of Journalism That's the observation of Charles Apple, who notes some sexually suggestive graphics and headlines that have slipped past editors. One of them is this recent weather graphic from USA Today:

"You need to have a dirty mind to be in the business of mass communications," Apple writes. "Or, at the very least, you need someone with a dirty mind on your staff. Because you do not want to give the sixth grader in all of us this kind of viral amusement." More examples in his post.
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"My editors agreed that black and white got the readers to the heart and soul of the images without any distractions," said Davidson.

Pulitzer Prize-winning photographer captures emotional, physical wounds from gang violence

Barbara Davidson‘s “Caught in the Crossfire” project, which won this year’s Pulitzer Prize in feature photography, features authentic images that tell untold stories, as they capture intimacy, depth and compassion.

The photographs in “Caught in the Crossfire” give … Read more

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What tools can journalists use to improve their visual storytelling skills?

In this week’s career chat, we talked with Wasim Ahmad, an assistant professor of journalism at Stony Brook University. Ahmad has been an copy editor, photographer, Web editor and content producer, and he started Journographica — a site … Read more

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